Mona Freeman

Acting

Mona Freeman

Born June 10, 1926 · Baltimore, Maryland, USA

Died May 23, 2014 · aged 87

Monica Elizabeth "Mona" Freeman (June 9, 1926 – May 23, 2014) was an American actress and painter. A professional model while still in high school, Mona Freeman was signed to a movie contract by Howard Hughes, who then proceeded to sell her contract to Paramount. Starting out in typical juvenile parts, she developed into a very competent actress. As she worked her way out of the teenage ingénue ro…

Known For

Double IndemnityDouble Indemnity · 1944
Double Indemnity
8.11944
MovieCrimeThriller
An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.
The Greatest Show on EarthThe Greatest Show on Earth · 1952
The Greatest Show on Earth
6.41952
MovieDramaRomance
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
The HeiressThe Heiress · 1949
The Heiress
7.81949
MovieDramaRomance
In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
Angel FaceAngel Face · 1953
Angel Face
7.11953
MovieDramaCrime
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
Battle CryBattle Cry · 1955
Battle Cry
5.81955
MovieWarDrama
The dramatic story of US Marines in training, in combat, and in love, during World War II. The story centers on a major who guides the raw recruits from their training to combat.
Streets of LaredoStreets of Laredo · 1949
Streets of Laredo
6.01949
MovieWestern
Texas, 1878: cheerful outlaw-buddies Jim, Lorn and Wahoo rescue spunky orphan Rannie Carter from rustling racketeers, then are forced to separate. Lorn goes on to bigger and better robberies, while Jim and Wahoo are (at first reluctantly) maneuvered into joining the Texas Rangers. For friendship's sake, the three try to keep out of direct conflict, but a showdown begins to look inevitable. And Rannie, now grown into lovely young womanhood, must choose between Lorn and Jim
Copper CanyonCopper Canyon · 1950
Copper Canyon
5.71950
MovieWestern
A group of copper miners, Southern veterans, are terrorized by local rebel-haters, led by deputy Lane Travis. The miners ask stage sharpshooter Johnny Carter to help them, under the impression that he is the legendary Colonel Desmond. It seems they're wrong; but Johnny's show comes to Coppertown and Johnny romances lovely gambler Lisa Roselle, whom the miners believe is at the center of their troubles.
Variety GirlVariety Girl · 1947
Variety Girl
6.51947
MovieMusicComedy
Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.