Terry Sanders

The Legend of Marilyn Monroe is a 1966 American documentary film chronicling the life and career of actress Marilyn Monroe. Directed by Terry Sanders, and narrated by John Huston.

A former student is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, the student struggles between trying to hide his guilt and the pressure to confess.

Fighting men in World War II learn the value of courage and quickness at the risk of losing their lives.

Dispatched to the front lines during the Korean War, an idealistic American soldier discovers the horrors of combat and comes at odds with a psychopathic member of his platoon.

A teenage girl and her boyfriend set off on an eventful road trip up the coast of California hoping to figure out the meaning of love and life.

The story of U.S. fighter pilots shot down over North Vietnam who became POWs for up to 8 and a half years.

A documentary describing the devastating deterioration of intellectual documents such as pamphlets, photographs, films, drawings, and maps. Assesses the situation, demonstrates preservation and restoration techniques, and suggests ways to prevent deterioration in the future. Features remarks by several experts, writers, and historians, such as James Michener, Barbara Tuchman, Daniel Boorstin, and Vartan Gregorian.

A film about the work of the artist most famous for her monuments such as the Vietnam Memorial Wall and the Civil Rights Fountain Memorial.

Filmmaker Freida Lee Mock explores the life and work of playwright Tony Kushner. Starting in 2001, when Kushner was mounting the production of his play Homebody/Kabul and running through 2004, as he worked on John Kerry's presidential campaign, got married to Mark Harris, worked with Maurice Sendak, and opened the Broadway musical Caroline, or Change.

Chinese American Journalist Freida Lee Mock journeys across the West Coast to unearth her family history and the history of the Chinese community in America.

From Academy Award-winning filmmaker Freida Lee Mock, ‘Bird by Bird with Annie’ offers an intimate portrait of a writer and her craft, interweaving the story of Anne Lamott's life—in itself a deeply moving tale of addiction and redemption, grief and joy, intellect and faith—with a year's worth of interviews, public lectures, and footage of the writer at work, focusing particularly on Lamott's candid, humorous, and disarmingly straightforward advice on the struggles and joys of writing. The author's reassurance and guidance concerning the process of writing—which has little resemblance to its glorified image—becomes a stirring call to action celebrating the potential of each individual, the silencing of our inner critics, and the courage to create something honest and meaningful. Poignant and inspirational, ‘Bird by Bird with Annie’ takes us deep into Anne Lamott's intoxicatingly brave world, one in which writing is a means of finding out who we are, how we live, and why we're here.

Visual comment on things made of plastic from their massed produced beginnings to their appearances in the environment and finally to the garbage dump.

Black and White UCLA Student Film, Preserved by the Academy Film Archive. During the American Civil War, two Union soldiers and a Confederate solider fire at each other from across a brook. The two sides negotiate a one-hour truce, from which they develop a bond. Based on the short story "Pickets" (1897) by Robert W. Chambers, it was the winner of an Academy Award for Best Short Subject (Two Reel) film in 1955. The film is on the National Film Registry for its cultural significance in 2007.

Called "the first lady of the silent screen," Lillian Gish was the archetypal silent film heroine — the delicate damsel in distress, stranded on a swift-moving ice floe, cowering before a sadistic brute. The film showcases generous footage of her most memorable performances. In this Emmy-award winning documentary, the celebrated actress reflects on her life and work spanning the 20th century, particularly her years as D.W. Griffith's favorite leading lady and collaborator.

Never Give Up: The 20th Century Odyssey of Herbert Zipper is a 1995 short documentary film about Herbert Zipper. It was written, directed, and produced by Terry Sanders, with Freida Lee Mock co-producing. The extraordinary story of Vienna born musician and conductor Herbert Zipper who survived Dachau, Buchenwald, and a Japanese concentration camp to become one of the great music educators of the world, continuing at 92 to bring music to the inner city schools of America. In Dachau, Zipper organized secret concerts using makeshift instruments. He learned the lesson that music and the arts are essential to the very existence of life. For the last half of the 20th century, Zipper has pioneered in bringing professional orchestras into America's inner city schools. It was nominated for an Academy Award for Best Documentary Short at the 68th Academy Awards in 1996.

Educational film about drug addiction.

To Live or Let Die is a 1982 American short documentary film directed by Terry Sanders, about the neonatal I.C.U. of the Children's Hospital in Los Angeles, where life and death decisions must be made while ethical dilemmas are also posed by new technologies.. It was nominated for an Academy Award for Best Documentary Short.

The future of preservation is at stake in the digital age. Into the Future explores the hidden crisis of the digital information age. Will digitally stored information and knowledge survive into the future? Will humans twenty, fifty, one hundred years from now have access to the electronically recorded history of our time?

A portrait chronicling the life of Rose Fitzgerald Kennedy, focusing particularly on her work in the field of mental health.

Four Stones for Kanemitsu is a 1973 American short documentary film, written and produced by June Wayne and filmed by Terry Sanders. It was nominated for an Academy Award for Best Documentary Short. The film is educational and records in details each of the steps in making of a color lithograph by artist, Matsumi Kanemitsu.

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.