Luciano Saracino

Eyes of the Abyss

A soldier awakens on a warship littered with corpses, her memories fragmented. She embarks on a dangerous journey, battling adversaries and struggling to survive.

Necronomicon – The Book of Hell

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Zombies in the Sugar Cane Field: The Documentary

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Derecho Viejo

Germán, últimas viñetas

German Oesterheld who wrote The Eternauta goes to apply a new job in the most prolific argentine publisher on those days. The comics of this publisher are simple and plain in style with a constant particular feature; the bad boys are always the indians, the cubans or the aliens. When German arrives a revolution between publishers writers and comic driver is begun because they feel attracted am jealous for the teachers arrival. The military dictatorship government rules the streets and everywhere even in the publisher building the things and relationships begun to change and German has to be hidden to be able to let know his toughts.

Eyes of the Abyss

A soldier awakens on a warship littered with corpses, her memories fragmented. She embarks on a dangerous journey, battling adversaries and struggling to survive.

Necronomicon – The Book of Hell

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Zombies in the Sugar Cane Field: The Documentary

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Derecho Viejo

Germán, últimas viñetas

German Oesterheld who wrote The Eternauta goes to apply a new job in the most prolific argentine publisher on those days. The comics of this publisher are simple and plain in style with a constant particular feature; the bad boys are always the indians, the cubans or the aliens. When German arrives a revolution between publishers writers and comic driver is begun because they feel attracted am jealous for the teachers arrival. The military dictatorship government rules the streets and everywhere even in the publisher building the things and relationships begun to change and German has to be hidden to be able to let know his toughts.