Annabelle Gangneux

This debut film by Alain Kassanda starts off as a process of self-examination: How well does he really know his grandparents? How true are his ideas about his birth country DR Congo, whose national identity was partly molded by the Belgian colonizers? And, by extension, how much does he know about himself? In Colette et Justin, Kassanda travels through time and his own past, in the process bringing postcolonial Congo to evocative life.

A young black man is killed in an altercation with a vigilant neighboor and the police. An indignant crowd gathered together. The feeling of injustice is high. A group isolates itself. Emotion engenders riot. In the absence of words, can the body take its revenge?

Apartments and photos. Initially, a game. There, meet David Bowie. I dive into boxes, I open albums. Bowie, cats, Tours, postcards, a stamp album, movie posters, a Lulu, bridesmaids' dresses, numbers ... I cross time.