Attila Veres

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

In a world where childbirth is state-regulated, a couple applies for a license to have a child. They pass the first round of the process, but have no idea what awaits them in the second round.

Rita, an ordinary, but lonely woman is kidnapped. Her captors are the Árpáds; they claim she is not called Rita but Szilvi, a runaway from their family. Rita eventually understands that the only way out is in - to escape she must impersonate Szilvi. The more she becomes the lost girl the more she finds out about the family - and understands that her life is on the line.

BurnOut is a film about the grinding down of hope by the contradictory values and morals of Moroccan society and how a mere chance encounter can throw everything that is taken for granted as normal and correct into question once one has glimpsed the possibility of the love and companionship that lies just beyond the walls of the Moroccan society. A shoe shiner Ayoub, a bourgeois couple, Jad and Ines in a loveless marriage, a wealthy but ailing art collector, and a young medical student Aida moonlighting as an escort, each interaction forever changing them and setting them on an irreversible trajectory towards catharsis or total collapse.

People say the true love lasts longer than life, but they don't mean it, and they are right: love ends when life does, except if it isn't.

The siblings Eydis and Kari are only five and six years old when their parents' marriage breaks apart. As their mother struggles to find her footing following the divorce, they are sent temporarily to a countryside children's home. But the stay turns out to be longer than they had ever expected.

To inherit the fortune he made in his previous life a man must become his previous incarnation again.