Yury Krestinsky

In modern-day Moscow, disaffected former journalism student Roman follows a cryptic invitation to join “the elite” and finds himself forcibly transformed into a vampire. But not your typical creature of the night. Thanks to a parasitical worm known as the Tongue, Roman (now called Rama) has become part of a ruling class of vampires who exercise an “anonymous dictatorship” over humans based not on a thirst for blood but the hunger for money. As various instructors school him in the ways of their elite breed, and Rama explores his new supernatural abilities, he begins a tentative relationship with another newly turned vampire, Hera. His desire for more knowledge about this intoxicating new world also leads him into potentially deadly conflict with Mithra, his mentor who becomes his nemesis.

Set in the ground zero of gangster globalism and driven by a truly manic energy, Generation P is at once a comedy, a tragedy and a fantasy about the rise of a poet-turned-adman through Russia’s nascent advertising business during the Moscow roaring 1990s.

Three boys and a girl go to another city to search for the father of one of them in order to get money from him as compensation for leaving the family. On the way they meet the homeless man Petrovich, and this meeting makes them think about many things.

The autistic postman had been diligently delivering mail since childhood. The whole town knew and loved him, and a few families held a special place in his heart. One day, he couldn’t bring himself to deliver a death notice. Instead, he wrote a “letter from the front”. From then on, he replaced death notices with letters, and no one ever suspected the deception because the postman was a talented man – his letters seemed to be written by different people. But this didn’t last long, because during wartime, the military authorities closely monitored the mail.

Tsili is a young girl caught in the middle of World War II. After her family is taken to a concentration camp, Tsili hides in the forest, free from hatred and men, until the arrival of Marek, a stranger who speaks to her in Yiddish.

When does your childhood go away? It goes away when instead of playing football with other kids you sit down and silently contemplate the river. When your thoughts don’t let you sleep, and a lightning bug beats in a pot like a heart. When poems come into your mind and you feel you really need to sing. It goes away when you suddenly realize: this summer is going away and it is the last summer of your childhood.

As a child, Victor Starffin fled the Russian Revolution and settled in Japan, where he grew up to find success as a baseball superstar. However, he constantly battled to overcome many hardships such as poverty, xenophobia, and a world war. Starffin is survived by his two daughters who take us on a wild ride of shifting identities, international rivalries, tragic love, and one heck of a fastball.