Helena Lehká

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.

A clever but often teased boy, is able to clone himself thanks to a stolen formula from a scientist. Time to take revenge on those bullies.

The juxtaposition of animals locked in cages in a zoo and people shackled by the confinement of the city has not lost its impact to this day. The amorous enchantment, passing and bonding of the two protagonists, a young conservationist and a paleontologist, takes place against a backdrop of subtly affected period realities. The debuting filmmakers, screenwriter Jaroslav Vanča and director Václav Křístek, have attempted to spice up the story with the character of a mysterious man who turns out to be the writer of the events just narrated.