Kau Ping

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Back Home Again is an ethical film that tells the story of two young intellectuals Feng Shibin and Zhou Wansen after their marriage to two country girls, Axiang and Lili

Temptation (誘惑) is a 1954 Hong Kong drama film directed by Doe Ching. The film was produced by Runde Shaw for Shaw & Sons Co. Ltd. and is based on the screenplay by Doe Ching and the original story by Hsu Hsu.

Meal Time is a comedy film about all the mess with housework that director Yan and his wife had to go through after the maid gave up her job.

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

A Shaw and Sons production about a couple who loves each other but end up marrying different people because of parental pressures.

Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.

Girls in Transformation is about an experiment conducted by assistant professor at the Shi Liangde University to demonstrate her "non-hereditary human theory," in transforming rural girls into modern women.

A Shaw and Sons production

Smash Up (1952 film) (Chinese 蛇蝎美人) also known by the aliases: The Vicious Beauty and Destroy; is a Hong Kong drama film directed by Bu Wan-Cang and produced by Shaw Brothers Studio. It starred Bai Guang, Wong Ho and Yiu Kwang-Chao.

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Nightmare is a 1953 Hong Kong thriller film written and directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons.

Wu Dehua is a frustrated young man who has experienced abandonment and crime and starts having suicidal thoughts. However, with the help of the nurses who cared for him, he's understanding the meaning of helping others and dedicating himself to them.

HK drama film.

An early Musical by the Hsin Hwa Motion Picture Company.

This is a Historical Drama that was written and directed by Doe Ching. It was produced by the Shaw Brothers Studio.

A woman is fired from her job because she's pregnant. The husband, who's a teacher, needs to get another part-time job as a waiter, to cover the expenses which causes problems at his school. He starts to resent children but there's hope as the husband is able to get another job and start to appreciate his family...

Hong Kong horror movie from 1956.

Chin Ping Mei 金瓶梅 (1955) is a Hong Kong feature film written by Ku Wen-Chung and directed by Wang Yin, it was produced by Shaw Brothers Studio. This is an adaptation of the Lotus Pan tale.