Mario Ossandón

Three stories that occur in a single day, centered around the Chilean rock scene.

A determined teenager must rely on her own wits when her fractured family abandons her.

In the era of the white gold, three men dreamed of turning Antofagasta into the Hollywood of South America. In 1927, of the nine Chilean films produced, six were from Antofagasta.

In the seas of southern Chile, where the known world ends, in dangerous waters and ghost ports, a space where everything is possible, a group of sailors dare still to dream in mysteries and enchantments...

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

This is a film about the life of a family of marginal thiefs, and how destiny punishes each and every one of its members. A constant contrast between a violent and a domestic world, in which violence, humor and irony, give a new layer to the social and moral conflicts of the characters. A lost house in a forest, an underground bar, a prison, a bus, fields and highways, are the spaces on which thieves, truckers, cooks and hookers collide.

Javier must reintegrate into society after spending 14 years in prison. His family and friends reject him, so he takes refuge in a house where he rents a room. There he meets Amanda, who helps him find a way to reunite with his teenage daughter that he barely knows.

Anthology series based on true crime stories that usually are unsolved mysteries. Intertwining dramatizations and real interviews with the victims and witnesses.