Manolo Sanlucar

Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("Blood Wedding," "Carmen"), here provides an in-depth look at the Sevillanas form of flamenco and its dancers.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

Teresa hopes that her social climbing ambitions will be fulfilled by her young son, Jacy. When he learns that his mother has started an affair, Jacy leaves home and embarks on a series of short-term liaisons with several women. He ends up by marrying a retarded but incredibly rich woman. His mother's hopes have finally been realised. Meanwhile, Teresa has herself found love and happiness, with a schoolteacher.

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.