Ivo Bastos

This new adventure of the brothers-in-law begins with the appearance of a corpse right in the middle of the Tui international bridge. This fact comes from what happened a few days ago... Carnival arrives and the Ribeiro family prepares to enjoy the favorite festivities of every good person from Ourense. Two years have passed since the arrest of Alicia Zamora and her Portuguese partner. The brothers-in-law have set up an octopus stand in Ourense, the perfect way to launder the riot money that fell to them from the sky (literally). Between one thing and another, Modesto has become another brother-in-law in the family. The appearance in Ourense of Andreia Nunes (the partner of the detained Portuguese) in search of revenge will complicate things for the brothers-in-law, getting them into a new mess that will turn this Carnival into a real masked ball.

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

The Inquisition continues the persecution of Portuguese Jews, sending Visitador Sebastião Noronha to the city of Oporto. With his family and community in danger, António Álvares, decides to outline an escape plan.

Brothers-in-law, Eduardo and Sabonis, married to sisters Cuca and Peque Ribeiro, have made a real mess of one of their business ventures and are in need of money, a lot of money. It will be Sabonis who, in one of his uncontrollable fits of rage, comes up with a plan to fix all their problems in one go: kidnap Modesto, brother-in-law to Alicia Zamora, the businesswoman who screwed them over. There’s just one problem: Alicia has no intention of paying even a penny to get her brother-in-law back. In the end, it will be Modesto himself who comes up with a new plan to help Eduardo and Sabonis get the money they need to save the family wine business. What they don’t know is that police officer Mati, the Ribeiro’s middle sister, is on to their little plan. Eduardo, Sabonis and Modesto have everything to lose, but as Sabonis would say, what could go wrong?

In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

On a spring night of 1999, two teenagers set out in an adventure to save the VHS.

On January 22, 1961, a group of Portuguese and Spanish opposition movement members seized control of the Santa Maria, a Portuguese luxury cruise liner, an operation devised by Henrique Galvão to expose the Government of Portugal as a dictatorship.