Joaquim Pavão

This film launches the references to the dystopian universe proposed in the SCULP project. The action takes place in a post-capitalist world, where a universal "correct will" determines all human decisions. Conflict resolution is established and a peaceful balance is achieved.

A yarn ball woman, an old woman who spends her days looking out the window and a seller of clothes that fall from the clotheslines are connected by a thread. The three women lead the actions of other characters and the inevitable fate of a woman with her husband at her back.

In a society controlled by the SYSTEM, a Nazi variant of Big Brother limiting citizens privacy, João falls in love with Leonor, a persecuted Jew. The vigilant inspector who watched them, decided to let them in freedom, reconciling with his past: he was the grandfather of Leonor.

A couple, once young and in love, fears the end of a long-term relationship on the brink of collapse. In a last-ditch attempt to recapture their former love, they turn to a therapist who proposes a truly unusual approach.

Vicente was a mean old man, short of words. In his collection, he lacked the pyx of mercy he so admired.