Sengedorj Janchivdorj

This contemporary domestic drama follows Lardima, the young wife of a man rich enough to provide her with the life of a princess. But her sadistic and obsessively jealous husband mistreats her. Following an accident, Lardima is imprisoned and forges a friendship with a female guard. Female solidarity in the face of everyday sexism, told with gut-wrenching style.

Saruul, a science student, is asked by an injured classmate Namuunaa to work part-time as a substitute in an adult goods store for a month. Katya, the Russian owner, a former ballet dancer who lives an elegant life on her own, realizes that Saruul, who comes daily to deliver the proceeds, has been suppressing herself against her parents' expectations, and tries to release her secret desires and sexual curiosity. Saruul, who lives with her family with little change in her life except for the evenings when she paints her favorite pictures, is exposed to a new world through her interaction with Katya, who has a wealth of life experience, but one incident leads to a growing distrust...

The film follows a rural woman who sets foot in the big city to reunite her son with his biological father and send him to school. The boy's father, however, has already started his own life and family in the city. However, he does not know that he has a son. The story shows how the mother and son go through hardships and joys to adapt to life in the big city.

A recently widowed affluent woman, Undral, faces an inevitable challenge when she must bring her late husband's former wife to the city from the countryside.

In a city rife with corruption and scandals, surrounded by indifference, the solitary and enigmatic Myagmar lives in isolation after enduring 14 brutal years in prison. Scarred both physically and emotionally, his only companions are the stray dogs he has rescued over time.

Bayaraa, a weather-worn muralist who once tasted glory in Europe, returns to Mongolia with only a box of paints, a rooftop tent, and his loyal stray dog. Each day he descends the wall of an abandoned factory, covering its crumbling concrete with sweeping murals of mythic Mongolian landscapes. Watching him is a sardonic balloon, at once conscience, companion, and a stroke of fable. When officials announce the factory will soon be demolished, Bayaraa becomes determined to leave behind his masterpiece. Yet the deeper battle lies within: the long-buried wound of the wife and daughter he abandoned for art.

It shows the current school curriculum and the lives of students.