Marine Atlan

Victoria is a thirty-something divorced lawyer who's struggling to raise her two daughters. She is canny and cynical but on the verge of an emotional breakdown. At a friend's wedding she reconnects with Vincent, an old friend, and Sam, an old client. Her life is about to take a new turn.

Lydia, a midwife very invested in her work, is in the middle of a breakup.

Amid the ancient ruins of Pompeii, a group of French teenagers on a class trip to Naples grapple with anxiety and exhilaration ahead of their high school graduation.

Narrated by an obsessive fan in 2055, an epic, half-century tale unfolds tracking the explosive rise and tragic downfall of a pop icon bound by a mad queer love affair with a punk star.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Summer 1900, Switzerland. Elisabeth, 17, is about to take her vows when the sudden death of her older sister forces her to leave the convent and return to the family farm. Stifled by the suffocating and strict rules of the village, walking in her sister’s step to uncover the mystery of her death, Elisabeth is slowly driven to rebel against the local order and for her right to live her life.

Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.

1899. On a stormy night, Aimée, a young Republican schoolteacher, arrives in a snowy hamlet on the edge of the Alps. Despite the mistrust of the inhabitants, she is determined to shed light on their dark beliefs. As she blends into the life of the community, a sensual vertigo grows within her.

Jessica is the leader of a group of lost boys with a violent past who now seek peace and harmony. She is the only one to have ever brought them love and understanding. They only wish to create a world where they can live in peace together, and forever.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

Vincent tells the story of Jean, a character who is a part of him, without being him. In this story Jean meets Stacey. Among the echoes of today's society the professional and private relationship of a filmmaker and an actress at work is growing. Notre Histoire is a modern tragi-comedy, a love letter to a woman, a tribute to a neighborhood victim of terrorism, a self-portrait, a social criticism, the description of a relationship between a filmmaker and an actress, in the center of which desire and urgency to work mix.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

With the collapse of the Soviet Union, Buran, the Soviet response to the NASA space shuttle programme, during the Cold War, was discontinued. Twenty-five years on, a photographer found one prototype of the five that were built, in an abandoned hangar of the Russian launch site in Kazakhstan. The Buran that made the programme's only orbital flight is no more, but nine-year-old Leo is convinced that someone hid it, somewhere in Siberia, and that he will find it. With Elizabeth, he rummages through satellite images, travelling the world in search of traces of the vessel, all without leaving the French seaside, where he spends his holidays. What they need is someone who helps find lost objects. A Siberian tiger will steer them in the right direction. This is a treasure hunt that blurs the limits between imagination and reality and whose sense of urgency contrasts with the long indolent Summer days.

At the end of the summer holiday, Louise, blind since birth, is smothered between her mother and her sister. After getting lost in the forest, a chance encounter on a naturist campsite will upset her habits.

Two sisters, aged ten and twelve, are about to leave their beloved island, which has become too expensive for their family. Their sadness turns into rage towards those forcing them to leave: the tourists. This last summer will be dark, deadly, as toxic as the seaweed swarming over the beaches.

A mother and her son are secluded in their house on an isolated island where two moments of their lives will intertwine -youth and maturity- and where the bonds of their fragile but indestructible relationship are forged.

Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.

Axelle is having the worst day of her life: while she is recovering badly from a break-up, she has to go to her sister's bachelorette party in a ghostly spa in the mountains. Fortunately, among the guests, there is Marguerite. Through one gaze, love is awaken again.

On his faraway island, J. dreams of sailing in the sea on a toothed whale. The problem is, he only has a tiny yellow fish.

Beneath the blazing summer sun in Corsica, sixteen-year-old Horace loses his dog. After a trying to find the animal, Horace and his gang suspect a man of Arab origin who lives outside the village.

Camille falls on the nose. A stupid fall, apparently benign, but Camille feels her nose moving, growing, inside. The fear of looking like Fabio and his big adolescent body, his grandmother deformed by the disease, the pigs of the old man, seized her. Fear of losing shape.

With her flashy sneakers and digital tablet, Suzanne personifies the trendy grand-mother although she can’t recover from the death of her husband. A body double of the late spouse suddenly appears in this moving and comical portrait of the apparition of a disparition.

Graziella is employed as a housekeeper for a reclusive and wealthy bourgeois family who live in a town house. A monstrous thing is locked up inside it, a very old man who has desperately been waiting to die for years. When Graziella and the monster meet, something is awakened in them.

Facing a long road, bordered with trees, a new feeling is born in Camille. It will grow on the path to discovering the feelings of others, between the waves.