Mario Guerra

A bank clerk and his cousin, a "general", join forces to track down a Mexican outlaw.

Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.

Carlo Barlozzetti, a silly waiter, lives alone in an apartment located across a bank which a Professor and his followers try to robe. While The Professor intends to steal a ring packed with a precious and secret metal alloy guarded in A safety deposit box, his men want to take the money from the safe.

Nicola Peccoli has always nurtured his niece Giovanna, an orphan since the age of two and now of age, but he does not look favorably on her beloved Mario because he is just a simple employee and a lower class of society.

Cassio, a tourist guide, and Primo, his bus driver, are taking a bus load of tourists to visit villa Jovis, at Capri island. Then they have an accident, and they knock their heads hard, losing conscience. They come awake in the times of the Roman Empire in Tiberius' villa.

Sold as slaves to a wealthy Roman, Lea and Esther, two Carthaginian sisters, are offered as gifts to the ambitious daughter of a proconsul and end up involved in spite of themselves in a dangerous game of power.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

A comedy centered on the character of Pepito. It is an Italian western made before the Spaghetti western era and it is at the same time a parody of the western genre.