Dana Bartůňková

Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. He cooks wonderfully for a group of woodcutters. He has brought a mountain stream to his cottage and set up a set of tanks (one of which he keeps trout in). He also has a wind turbine, a wood-burning cable car, air-conditioning in the cottage and a mannequin of a man called Albert, who scares away unknown visitors. Joska is a man who claims that it is best to be alone, yet he constantly tries not to be alone. He is friends with a gamekeeper, a teacher, he tries to get his children to visit him regularly and therefore easily succumbs to a middle-aged lady. She doesn't take long to persuade him and soon comes to his cottage. A great love seems to be born...

Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the home. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

In a chateau near Prague there is a chantry and brothel Riviera, designed for the clientele from the higher circles. Mrs. Gábi Stolařová, called Madame, keeps a close eye on order, but otherwise she runs the place in a family spirit and makes sure that the customers are satisfied. A new employee, the beautiful Renata, disrupts the order of things and immediately draws the attention of all the guests to herself. But beneath her angelically innocent exterior, she hides a fierce ambition and a coldly calculating brain, which, to her own detriment...

Once again, you can take a look behind the scenes of the Riviera Chateau on the Prague periphery, where a brothel for the socialites is hidden under the guise of an exclusive nightclub. The story takes place in 1930 and although several years have passed since the events of the first volume, the passions unleashed by the intrigues of the time have not cooled down. Once again you meet Renata, called Angel, formerly a prostitute, now the wife of the banker Justice and owner of the Riviera. The elegant Madame, who owned the business before and now works there as a mere manager, is plotting new schemes to get back everything she has...

A funny adventures of a group of children who plan to leave their village in go for the sea trip.

As a mayor dreams of spreading holiday cheer with a new ski jump, the town's citizens experience wacky antics while searching for love in wild places.

The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.