Archie Moore

A two-bit criminal takes on the Mafia to avenge his brother's death. Earl Macklin is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother.

At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.

TV cameraman Harry Hinkle is injured while filming a football game. Seeing big dollar signs, his unscrupulous ambulance-chasing lawyer brother-in-law Willie Gingrich enters the picture, and convinces Harry to overstate his injuries and claim $1 million in pain and suffering. Harry's similarly-minded ex-wife suddenly reappears in an attempt to rekindle their relationship.

Jonas Cord is a disagreeable young tycoon who's building planes, directing films, and catting around on the corporate make in 1930s Hollywood.

From chicken thief to cabin boy, riverboat pilot to circus performer, Huck Finn outsmarts everyone on his way down the muddy Mississippi.

A gunman whose best friend has been murdered enacts a plan to blackmail the corrupt labor union leader responsible but finds he isn't the only one after his money.

A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive.

Private eye searches for a missing football quarterback in Chicago.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

Family Affair is an American sitcom that aired on CBS from September 12, 1966 to September 9, 1971. The series explored the trials of well-to-do civil engineer and bachelor Bill Davis as he attempted to raise his brother's orphaned children in his luxury New York City apartment. Davis' traditional English gentleman's gentleman, Mr. Giles French, also had adjustments to make as he became saddled with the responsibility of caring for 15-year-old Cissy and the 6-year-old twins, Jody and Buffy. The show ran for 138 episodes. Family Affair was created and produced by Don Fedderson, also known for My Three Sons and The Millionaire.

Shane works for the Starett family, a young widow, her son, and her aging father-in-law, protecting them against the anti-sodbuster rancher Ryker and other perils plaguing the Old West.

House Party is an American radio daytime variety/talk show that aired on CBS Radio and on ABC Radio from January 15, 1945 to October 13, 1967. It had an equally long run on CBS television as Art Linkletter's House Party and, in its final season, The Linkletter Show, airing from September 1, 1952 to September 5, 1969. The series was launched when producer John Guedel learned that an ad agency wanted to do a new daytime audience participation show, and he pitched a series that would star Art Linkletter. Asked to provide an outline, Guedel and Linkletter came up with a format that would give Linkletter great freedom and allow for spontaneity.