Emilio Guevara

Alberto, a young adolescent from Buenos Aires, is going to spend his vacations at his grandmother's farm in San Rafel, Mendoza. Idyllic site witnessed the awakening of the protagonist's sexuality and the economic ruin of the family. Between adolescence and maturity, seeking love and the path of his vocation, in ruthless struggle with himself he will learn in the hardest way the meaning of life and responsibility.

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

A movie in four parts. A frustrated woman finds love with a painter ("La estrella del destino"). A woman tries to seduce her subordinate when she takes him to her apartment ("La buscona"). A woman who killed her husband falls in love with the gravedigger ("La necrófila"). The sexual awakening of two teenagers and the reaction of their parents ("Chicos jugando al deseo") .

The attitudes of different people to the fact of going to the movies.

Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.