Kasumi Motegi

Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?

A sequel to Detective Bureau 2-3: Go To Hell Bastards!

Yuka is a “good-time girl” from Yokohama who is persuaded by her papa to sleep with a foreign business executive so that he can close an important deal. Nakahira presents a shrewdly observed portrait of a modern, sexually assertive woman—an unsettling character for a changing but still patriarchal society.

Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.

A high-school vigilante protects his community from the extortions of mobsters from a neighbouring city.

Bastard tablets that hunt down the crooks behind the gambling world of horse racing, bicycle racing, and car racing.

A nanny, played by Sayuri Yoshinaga, who lives and works in a Tokyo family, causes all kinds of waves with her outspoken personality and behavior in this charming coming-of-age blockbuster.

1962 Japanese movie