Jason Moran

"Selma," as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Voting Rights Act.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

Revolves around the equal protection and citizenship-focused 14th amendment, which was ratified in 1868 in the turbulent era of Reconstruction and has been a contentious part of the American body politic ever since.

Friends meet at the crossroads of loyalty and morality and are forced to decide which path to walk.

The Park is an uninterrupted 58-minute capture of the action on an unfenced basketball court adjacent to the Walt Whitman housing projects in Fort Greene Brooklyn, New York. With no physical barrier between athletes and spectators, and no evident delineation between the beginning or end of a game, players join and depart apparently at random, while park visitors wander past, and sometimes through, the activity on court. The Park reveals the game zone as a fundamental space of public social life, providing an anthropological cross-section of social codes. The film is accompanied by an improvised soundtrack by musician Jason Moran, whose live-recorded performance spontaneously translates the visual rhythms of The Park’s unscripted choreography.

An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.