Katsuya Ishimaru

The second film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

Genji Kurô is a master swordsman and entrusted with protecting the ancient sword Kaen by the Otsubo family.

In 17th century Japan, Young Lord Masato returns after years abroad to find everything changed: his peace-loving father has died in what he soon finds to be mysterious circumstances, and his mother's married to his uncle, whose ruthless ambition is causing turmoil in the kingdom. Not knowing who to trust, Masato feigns madness, vowing to get to the truth, even though his act causes distress to the girl he loves, who's waited for him all these years. The ghost of his father turns up now and then to show him the way. Meanwhile a peasant revolt is brewing... It all ends tragically.

In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.

Yae and Kiku, daughters of drapers in Edo, must travel to Kyoto in place of their sickly fathers to attend to some businesses affairs. On their way to Kyoto, the two ladies are ambushed by a group of bandits. However a good Samaritan named Santaro comes to their rescue. Santaro is aiding a young samurai named Sanshiro who is on an official mission to deliver a message to a noble in Kyoto. When Yae and Kiku discover that a gang of assassins is after Sanshiro, they decide to help Sanshiro to complete his mission.

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

In 1691 a terrible fire broke out in Denmacho, Yotsuya, burning down the towns around it, up to the shores of Shibaura. A month and a half later, another fire broke out, this time in Komagome, burning down the two gates of Asakusa and Sujikai, and continuing on into the night. As the government Elders consider evidence that these fires were arson, a fire breaks out in Hirakawa-cho, outside of Hanzo Gate. Nishonmaru catches on fire and burns down completely. When this rash of fires even strikes Kyoto, the task of finding who’s behind the arson, and stopping them falls to the Shogun’s uncle, the Elder Lord of Mito. Together with his trusted bodyguards, Kaku and Suke, the trio set of to save Japan from this scourge of evil. Featuring virtually all of their most famous stars, this is the best film in the Toei series about Mito Komon, one of Japan’s most popular historical figures who traveled through the country incognito to check on the people and fight injustice.

Megastar Kataoka Chiezo is Vice-commander Hijikata Toshizo of the Shinsengumi in this realistic tale of Japan’s inner battles that led to the downfall of the Tokugawa shogunate. Excellent performances and extremely good swordplay highlight this glimpse into the heart and soul of Japanese history. Although known as “Razor Blade” Hijikata, the vice-commander is a man of deep conviction with a little-known sense of humanity. Starting after the famed Ikedaya Incident, in which they saved Kyoto from Choshu’s plot to burn the city to ashes, they work hard to change the public’s view of them as merciless killers to their true mission of protecting the shogun. This is an extraordinary tale of blood and guts! From the pen of award winning author Shotaro Ikenami (Bandit Vs. Samurai, Hunter in the Dark, Misumi's The Last Samurai)

This most celebrated all-star movie version of the popular series features Tsukigata Ryunosuke as Mito Komon, the sage who wanders the countryside rectifying government corruption along with his faithful attendants Suke and Kaku.

Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!

This adaptation of a Hideji Hojo novel, about the historical uprising of the Kuroda clan in 1633, is told through the eyes of retainer, Daizen. As his clan’s new leader, Tadayuki, becomes increasingly militant in his opposition to the Tokugawa shogunate, Daizen is forced to reconcile his loyalty to the clan with his loyalty to Tadayuki, who seems dead set on entangling the clan in destructive conflict. The Kuroda Affair’s mise-en-scène is said to have influenced future Toei director Eiichi Kudo. The film also features two of the greatest stars of Japanese period cinema, Chiezo Kataoka and Ryutaro Otomo.

The film adaptation of the novel "Three Little Rats" by Tatsuro Jinde. In this fascinating story, the rebellious Jirokichi and three men, united by a sense of justice and love, confront an evil merchant and an official who fills his pockets with gold, and eventually expose his crimes in order to avenge the death of one of his comrades.

This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.

The adventures of Aoi Shingo continue. Shingo is finally given permission to officially meet his father, the Shogun. However, his journey is disturbed by those who wish to claim his life. This is the third part of "THE 10 DUELS OF YOUNG SHINGO", following the first 2 parts (which were actually done as one movie). The tension mounts as young Shingo must face obstacles the like of which he had never before seen. And, can he avenge the death of his master? The man to whom he owes everything.

A sequel to "Vampire Dead Beauty Carving", featuring the same members from the previous work, including scriptwriter Koji Takada, director Hideaki Onishi, and cinematographer Shigehira Suzuki.

Friendship between good samurais and aborigines in Hokkaido.

The fourth episode of the popular detective series starring Tomisaburō Wakayama. Featuring mysterious ronin, enigmatic bon vivants, and melancholic daughter geishas, as they become entangled in a series of strange deaths occurring one after another at the Furisode Mansion. With the astute reasoning and Hōzen-ryū stick technique of the puppet showman Sakichi of Kanda Otamagaike, the threads of the mystery are gradually unraveled.

Fifth film in the 'Travels of Lord Mito' franchise.

A two-part series of ninjutsu films directed by Masahiko Izawa, director of Yagyu Bugeichou (1961), based on an original scenario by Yasuo Yokoyama.

To protect innocents from ever-evolving crime, three souls burn brightly! This is the story of the Special Emergency Investigation Unit, striving for love and kindness in the Earth of tomorow!