Þorsteinn Úlfar Björnsson

Rainbow’s End tells the story of inter-generational family conflict. Is a haunting work that remains as affecting and original today as when it was first released.

Based on a poem from the Icelandic sagas, this film tells of how Thrymur, the king of trolls, stole the hammer of Thor and how Thor got it back.

Maria is somewhat of a rebel and problem child. Her mother died and her father remarried some awful lady, and Maria isn't happy at all. She takes a drug overdose and winds up in a home for other girls with problems, but the two women who run the place turn out to be not quite the ladies they seemed. Maria knows she can't stay there very long, and starts planning her escape.

3 short films in a series based on ideas from an exhibition of 100 drawings in Gallery Langbrók in Reykjavík, 1983. The Concert: A devil is playing the piano. The Bathtub: Jesus is taking a bath. The Artist: An artist is painting out in the open and gets a nasty surprise.

An oneiric film about a student who sacrifices his studies for the girl he loved.

Nomina Sunt Odiosa is Fridrik Thór Fridriksson’s first film. The title is in Latin and means names are not necessary even pointless. Maybe that was a statement from the director for future films to come. Scenes from a school graduation party mix with shots of soft-drink bottles a conveyor belt. Both the bottles and the students are alike, universal, unoriginal and, above all, nameless. The film was screened at a school anniversary in March 1975 and broadcast on the only television station a few months later.