Renato Ogata

This is the story of Alice Junior, a transgender girl full of life, who wants to give her first kiss, but first, she just wants to be who she really is.

In an isolated countryside house founded by an elite, surrounded by slavery memories, a crossdresser retreat is set up. Far from the Brazilian dictatorship of the 70’s, men dress themselves with a glamour and delirious reality. This forged freedom crumbles when the real world infiltrates the house. Crossing the thin line between lies and truths. A fatality is just a matter of time…

It's summer and Duda wants to go to the beach.

The river is not the same. It has turned into contaminated mud. Residents of a fishing village face an uncertain future after the dam burst. Yara and Dingue resume their lives, remain and drift in the memory of the place while the waters run down the mountains in the face of the indomitable forces of nature.

Vicente, a 14-year-old boy, sets off through the suburbs of his city to find someone, and then to do his recently deceased father a last and unexpected favor.

Brazil. It's night. Mother and son discover they are not alone during quarantine.

After spending her entire childhood and youth separated from her family, Joana returns to the Pantanal to fulfill her recently deceased mother's last wish.

After the coup of 1964, the media conglomerate Diários Associados organized a campaign called "Gold for Brazil," exhorting the people to donate wealth to the military government. The symbol of the campaign was the wedding ring, sealing the union between the people and the State. The film picks up the trail of the millions collected, but never channeled back into society.

Rose should have the perfect life. But after discovering that she was being cheated by her husband, what was emptiness becomes ruins. In an attempt to start over, to rediscover yourself and the people she loves, Rose ends up finding fuel in the most unusual source: The plot twists of the soup opera 'The Love of Catarina', the new national fever.

The existential crisis of the image haunting humanity.

Dedicated to Robert Bresson, the short film focuses on a man on a wheelchair before TV images. In his mind, quotes from the book Notes on the Cinematographer reverberate.

Felipa is a young girl whose best friend is her puppy Rocket. When she and her family move to a building where animals are not allowed, she and Rocket are forced to separate. Suffering difficulties in adapting to her new home, full of rules, she joins the association of child residents and sets out on an adventure to find the dog at her grandfather's house.

Martelo is a 70-year-old fisherman who has not yet been able to retire. He is the lighthouse man, points his light towards the island of Superagüi and illuminates earthly desires: better working conditions, retiring with dignity, returning to the way things used to be.

The film tells the story of Chen, a Chinese immigrant who lives as an invisible person in the city center. Amid homesickness, difficulty communicating in Portuguese and tiredness from work, Chen can't fit in anywhere. At night, alone and when the streets are empty, the asphalt becomes meditation and there he can dream. It is a fiction created and set in real locations in collaboration with the characters themselves, all non-professional actors who play themselves, creating a portrait with documentary aspects, both of their lives and of the center of Curitiba.

Luzia consumes all the sweets from the neighboring baker, Carmen. Friendship evolves into a platonic passion, which brings a new flavor to Luzia's bitter days.

In Brazil, arson is the leading cause of deforestation and land grabbing. Alex Gomes, leader of a volunteer fire brigade, battles grueling and dangerous fires in an effort to save his community and the environment.

Saturday night, the Brazilian Midwest. Jean is a redneck listening to a local radio station where listeners send their messages of love.

An app delivery man helps a woman with Alzheimer's find her way home.

Vera Holtz is an actress who, through cinema, decided to rescue the memory of her family with her sisters Teresa, Rosa and Regina. Facing memory lapses, the actress tries to reinvent her own life in film.

Cristian Nazario abandoned his family to climb Mount Everest and now returns home with terminal cancer. His homecoming brings to light his troubled family relationship and Brazil’s social situation: he is the fourteenth Brazilian to have climbed Mount Everest, but the first black man among them.