Santosh Ganguly

Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.

Jayanti is a woman full of life but unfortunately, she loses her husband in a war within a year of their marriage. In immense pain and completely shattered, she forgets how to live life the way she did before.

A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.

Love story of Tapasi and Kiriti in the backdrop of social and cultural conflict regarding marriages and progressiveness.

When the widower Sudhangsu is about to get married, a woman claiming to be his first wife tries to stop the wedding. However, Sudhangsu believes this woman is an imposter because he believes his wife has committed suicide.

A 1957 Bengali Drama Film directed by Santosh Gangopadhyay.

Another attempt at ghosts and reincarnation. The Court singer's foster grandson, Baiji Kamala's son (Shankar) arrives one day at the court and is exactly a replica of the prince (Rudra). Ali knows he is the illegitimate son of the King. Despite being aware of the facts, both become fast friends, and Rudra takes it upon himself to protect Shankar. Queen Padmavati (Dipti) tries to poison Shankar, killing the King Pratap instead. Shankar grows up to be a stereotype, drunkard, and pleasure-loving, and Shankar is the moderator. In childhood, Dewan's daughter Ranjita betrothed Rudra, preferred Shankar and finally married him. Rudra can't bear it and is out to kill Shankar. Will he succeed? If he does then?

Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.

A 1956 LOST Indian Bengali film starring Mahanayak Uttam Kumar.

A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.

Amal Basu, who decides to visit his hometown, meets Lila on the train. When he goes to his friend Nabendu's home, he learns that Lila is his sister and a smuggler.

Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

A 1954 Bengali Drama Film directed by Nirendranath Lahiri.

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

The Mukherjee family's daughter, Maya, is engaged to Nanda but notices his growing attraction to Shukla. Maya convinces Shukla to help, and Shukla successfully reunites Maya and Nanda. However, Maya's mother dislikes Shukla. Shukla then falls in love with Maya's brother, Dilip, but faces opposition from Dilip's mother. Despite challenges, Shukla's love and sacrifice ultimately win over the family, uniting them.

This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behavior.

Abani, a young man from a poor family, elopes with Sudha after her uncle forces her to marry a sick man. However, a misunderstanding among his family members threatens to destroy their relationship.

The school of a remote and poor village shut down, the head master Krishna Prasanna (Chhabi) migrates to city in search of job. He moves with family, wife Labanya (Karuna), nubile daughter (Ranjana) and very young son. He takes residence with his wife's brother. He meets per chance one of his ex students, of whom he used to take free evening classes and many of whom got merit scholarship and became cream of society, a doctor, a judge, successful lawyer, manager of a big bank and so on. Can he cross the barrier and meet them? All have big bungalows and office with watchmen to stop. If he managed to meet them, will they recall his contribution and help their benefactor? If they do, what change he has to bring in himself? Can he?

A naive Sanskrit poet, shunned for falling in love with a low-caste Indian woman, faces challenges after entering into a competition with a princess.

A 1947 Bengali Film directed by Premendra Mitra.