Mariko Ogasawara

A literary masterpiece that sharply critiques the ethics of modern romance, featuring a 48-year-old father who burns through the last of his youth with a teenage girl, and a daughter in her twenties who falls in love with a younger man and champions sexual liberation.

A small restaurant tucked away in the back of Ginza is run by Keiko, the owner’s daughter. Writers, club owners, corporate executives, and others are drawn to her charm.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

The cunning detective Akeichi must foil a kidnapping plot orchestrated by the notorious jewel thief known as Black Lizard.

Kyoko is the third daughter of the Nonomiya family, a very ordinary family. Momoko, the eldest daughter, is married to Ichiro, the president of Mihara Shoji, and Riko, the second daughter, is married to Jiro, the managing director, and they plot to marry Kyoko to Saburo, the third son of the Mihara family. Kyoko is angry at the marriage talk that is being pushed forward without her permission, and declares that she "definitely won't get married," but before she knows it, she begins to become aware of the other person...

The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

Relatives gather from afar in wintery Ashibetsu upon the death of patriarch Mitsuo. A mysterious woman named Nobuko suddenly shows up. Her appearance gradually exposes wartime secrets and Mitsuo's unknown past.

The film depicts a group of boys and girls who graduate from a local junior high school and head to Tokyo to find employment, and the teachers who watch over them. Co-written by newcomer Shigeki Chiba and Kaneto Shindo, the film was directed by Kozaburo Yoshimura.

Fujieda Baian is admired during the day as a skilled acupuncturist. However, at night, he is a highly skilled assassin, taking on contracts to quietly eliminate those whose existence is deemed toxic to society. Baian's latest target, assigned by his boss Otowa, is Shirakoya Kikuemon, the head of a powerful organization in Osaka. In the past, Baian had been indebted to Shirakoya, but due to a conflict involving the swordsman Kosugi Jūgorō, their relationship has turned adversarial. After his lover is abducted, Shirakoya storms into Edo. With his life now targeted, Baian resolves to confront Shirakoya in a desperate final showdown.

The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

Ayako Wakao portrays a downtown rice ball shop girl whose heart is set on her business. Involved in her life are three young men—stage actor Goro, businessman Kokichi and Sanpei Pachinko.

Mitsuko, a maiko from Gion, met Haruki by chance and had a fun time with him, but is stunned when he discovers her secret. This is a love story that cheerfully portrays the life of a modern maiko.

During the tumultuous end of the Tokugawa shogunate, the Tengu Party rose in rebellion in Mito. Friends from their hometown, Tanaka Genzo and Fujita Koshiro, each walked different paths. Koshiro, who upheld the philosophy of "Revere the Emperor, Expel the Barbarians," became a leader of the Tengu Party, taking refuge in the mountains. Genzo, however, did not have any particular ideological stance.

1962 Japanese movie

1960 Japanese movie

One of Kinugasa's last films--based on the story by Tanizaki Jun'ichirō.

1958 Japanese movie

Directed by Edagawa Hiroshi, this film stars Funakoshi Eiji and Kawakami Yasuko.

A comedy directed by Yasuzo Masumura starring Yunosuke Ito.