John Brahm

Directing

John Brahm

Born August 17, 1893 · Hamburg, Germany

Died October 12, 1982 · aged 89

​From Wikipedia, the free encyclopedia John Brahm (August 17, 1893 – October 12, 1982) was a film and television director. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), The Locket (1946), The Brasher Doubloon (1947), and the 3D horror film The Mad Magician (1954).

Known For

The Mad MagicianThe Mad Magician · 1954
The Mad Magician
6.91954
MovieThrillerCrime
Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.
The LodgerThe Lodger · 1944
The Lodger
6.51944
MovieThrillerMystery
In Victorian era London, the inhabitants of a family home with rented rooms upstairs fear the new lodger is Jack the Ripper.
Hangover SquareHangover Square · 1945
Hangover Square
7.01945
MovieThriller
When composer George Harvey Bone wakes with no memory of the previous night and a bloody knife in his pocket, he worries that he has committed a crime. On the advice of Dr. Middleton, Bone agrees to relax, going to a music performance by singer Netta Longdon. Riveted by Netta, Bone agrees to write songs for her rather than his own concerto. However, Bone soon grows jealous of Netta and worries about controlling himself during his spells.
The LocketThe Locket · 1946
The Locket
6.31946
MovieDramaCrime
A dark personal secret drives a young woman to use every man she encounters.
Girls' SchoolGirls' School · 1938
Girls' School
6.51938
MovieComedy
At an exclusive boarding school for adolescent girls, the lives of two very different students intertwine when introverted class monitor Natalie Freeman learns of the more popular Linda Simpson's secret boyfriend.
The Undying MonsterThe Undying Monster · 1942
The Undying Monster
5.81942
MovieHorrorMystery
A werewolf prowls around at night but only kills certain members of one family. It seems like just a coincidence, but the investigating Inspector soon finds out that this tradition has gone on for generations and tries to find a link between the werewolf and the family, leading to a frightening conclusion.
SingaporeSingapore · 1947
Singapore
6.11947
MovieAdventureRomance
After the war, Matt Gordon returns to Singapore to retrieve a fortune in smuggled pearls. Arrived, he reminisces in flashback about his prewar fiancée, alluring Linda, and her disappearance during the Japanese attack. But now Linda resurfaces...with amnesia and married to rich planter Van Leyden. Meanwhile, sinister fence Mauribus schemes to get Matt's pearls.
Hot Rods to HellHot Rods to Hell · 1967
Hot Rods to Hell
4.71967
MovieActionThriller
While on a business trip, Tom Phillips is in a car accident caused by a reckless driver. Tom survives the accident with but a severe chronic back injury leaves him unable to continue with his career. The Phillips' buy a motel in the California desert and Tom with his wife Peg and their two children, Tina and Jamie make the long road trip to their new home. As they approach their destination they are terrorized by reckless teenage hot-rodders looking for kicks.

Filmography

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Cavalcade of AmericaCavalcade of America · 1952
Cavalcade of America
4.61952
SeriesDrama
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Director