Sophie Peyrard

A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.

They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?

Amid the social strife of 1970s Britain emerged NWOBHM, the New Wave of British Heavy Metal. New bands from ordinary British towns and suburbs like Iron Maiden, Def Leppard; Saxon, and Girlschool changed the face of amplified music and created a musical and cultural revolution. This is the story of Heavy Metal Kingdom.

The pin-up is not just a pretty young woman, not so much dressed and fantasized. This popular American icon would even become a symbol of feminine claims. As soon as we pronounce the word "Pin-up", it's an erotic and retro cliché that comes to mind. We imagine a beautiful ingenue in light clothes looking at us with a smile, endless legs and sexy underwear to guess the curve of a buttock. This short-dressed girl who looks at us in the corner and smiles at us frankly, is an erotic icon.

At the age of 20, Patti Smith arrives in New York and upsets the codes of rock, poetry, and genre. She has become a living legend without ever leaving the sidelines. A poet, actress, and musician. Also militant. An artist with a thousand lives, now 74 years old. The documentary follows the course of Patti Smith's life. Childhood first, and the artist who says: "I wanted to be someone special. I felt distant. Not just from other children, I felt far from the whole world. I spent my childhood in think I was an alien. " Little Patti grew up in rural New Jersey and received a religious education from her Jehovah's Witness mother. But Patti Smith leaves the movement, which does not suit her artistic inclinations.

A documentary studying the archetype of the witch in Hollywood cinema from the 1930s to the present and shows, between the lines, how it is linked to the social history of female power.

On May 18, 1936, Abe Sada, a former geisha, kills her lover by "erotic asphyxiation", then slices his sex and inscribes his name in his flesh. In an ultra-controlled and militarized Japan, the press is passionate about this transgressive incident, while the murderer defends herself, presenting her crime as an act of "crazy love". Relayed to the West, this murder conveys the image of a fantasized Japan, where all impulses are given free rein.