Kirill Gun

On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair.

Based on the famous fairytale "The Tinderbox" by Hans Christian Andersen. The main character of the film is a puppeteer who lives in a poor and gray world. He composes a fairy tale in which he himself, in the guise of a brave soldier, finds a flint and is helped by a kind wizard. The soldier falls in love with a spoiled, capricious princess who, as befits a princess, poses riddles to her numerous suitors. Her father, the king, is eager to see the soldier as her husband, as he believes the soldier has a great deal of gold. In the fairy tale, everything ends well, but in real life, not so much. "But life is not a fairy tale," his beloved girl says to him as she bids him farewell.

French aeronaut Jules Ardan, traveling in a hot air balloon, accidentally finds himself in Reval. Here he meets Dr. Peterson and his daughter Leida. The gendarmes are hunting for Leida's fiance. The banker's son is being murdered in the city. Suspicion falls on Peterson. Jules Ardan takes over the investigation of the crime.

Lost movie.

This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

A portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up back where he started.

A chronicle of life in a small village in the Baikal Region on the eve of World War I and at the time of the October Revolution. The age-old foundations are crumbling, the process of social stratification is underway and, as a result, some people go to defend the revolution, and others - to fight against it. The main hero is the young Cossack Roman Ulybin. At first, this carefree daredevil is preoccupied only with one problem: whether his sweetheart, Dashutka, is to marry him or a merchant’s son, Alyoshka. Roman is killing time fist-fighting with his rival. But little by little, the young man realizes that the world around him has changed, that people are fighting for equality and social justice, and, being a real Cossack, he can’t remain on the sidelines…

The film mocks the moribund world of pan-Poland. The border established by the Treaty of Riga between pan-Poland and Soviet Belorussia passed through the estate of Polish Count Wadecki. The best part of the estate with the palace ended up on Soviet territory. From that moment on, the count lost peace and sleep. New owners - a noisy, cheerful pioneer squad - took up residence in the former manor house. The count's servants, shepherd boy Vasya and servant girl Yadya, watch the life of their neighbours with keen interest. Having accidentally crossed the border in search of a stray cow, Vasya happily stays in Soviet Belarus. He is followed by Yadia. Eventually the Count and his "lordly" guests cannot bear the sight of the noisy youth festivities on the Soviet side and flee. Yadia and Vasil participate in the Soviet youth party.