Tuğçe Altuğ

A struggling writer in the midst of a divorce befriends a retired serial killer who incidentally becomes his marriage counselor by day, and killing counselor for his next book by night.

Three strangers with one thing in common — the same father — come to a Turkish village to bury him, and learn about him and each other.

Derya and Hakan are best friends. Derya is the one who makes soup when Hakan is ill and Hakan is there whenever Derya needs him. They are so deeply involved in eachother’s lives that they even have the keys to the other’s apartment. They don’t have any secrets between each other. They both think that in today’s world, people do not feel the love that our grandparents and even parents do. They think that couples consume each other. And therefore, everyone they meet seem shallow to them.

Kaan and Mete, co-hosts of a mid 1990s radio show called Kaybedenler Kulübü (Losers' Club), struggle to deal with their daily lives after their show becomes an instant hit. Kaan meets Zeynep, the girl of his dreams, but their relationship comes under pressure as the show continues to stir controversy and attract fans from every segment of Istanbul society.

In a family consisting of a father, mother, and two children, financial difficulties compel every adult member to work. Experiencing fragmentation economically, spatially, and emotionally, the family has lost its sense of togetherness in the struggle to sustain their lives. They communicate only during breaks, and even then, their interaction takes place solely through phone calls.

A grieving woman wanders a vast, maze-like shoe store holding a black shoebox she cannot bring herself to let go of, haunted by fragments of a lost love, resigning herself to the uncertainty of Schrödinger's paradox.

Onur is sacked from his job as manager of a pharmaceutical company. He’s not too bothered about being unemployed, but the same cannot be said of his wife Bahar. Onur doesn’t listen to her and becomes indifferent not only to her anxieties but also to the world around him. He’d rather be surrounded by more zebras. A drama with dashes of absurd comedy about events that are no laughing matter: a personal crisis that impacts their marriage.

Drawn into a theatre that reflects her inner world, Deniz descends into her subconscious, where fragments of memory, fear and desire blur the boundaries between performance and reality.