Dolores Montaño

In San Juan and on routes throughout the country, a true story turned miracle is honored: that of Difunta Correa. She died of thirst in the desert but kept her son alive by breastfeeding him from her lifeless body. Since that moment, she has been considered miraculous by millions. Karina, Alejandro, and Rosa, three devotees of Difunta Correa, share their personal stories and how they fulfill their promise for a granted miracle.

José cannot accept the idea of ​​having been retired. He continues traveling the routes as he has done all his life, stopping in the same places, pretending that everything remains the same. At the cabaret, Ruby comes face to face with his reality.

Inside an armored truck, three men wait for an order. They have been in there for several hours without being able to get out. The demonstration that threatens them is getting closer. When the action seems to start, something is wrong...

In a world inhabited by androids, a girl dreams of playing soccer, despite her family's prohibition. Her friends will come to her aid to help her fulfill her wish and show everyone what they are capable of, both on and off the field.

"Diablo Viejo" was going to be a family road trip movie, but the production stops when the co-directors' 9 year relationship comes to an end. After the separation both put together their own version of the story with the pieces of a broken relationship and a frustrated documentary.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.