Marina de Van

Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.

Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

Diane lives with publisher Hermann but everything is spoiled when Worms, Hermann’s loyal author and friend, reveals in his new book the affair he once had with Diane, in a highly subjective manner. She soon discovers the contents of the work, which Hermann tries to hide from her, and takes on a lawyer to defend her privacy. But this is only the beginning of a mess that simply gets worse and worse, leading to an unexpected, brutal ending.

When the family patriarch is murdered, seven women find themselves trapped together in his mansion to solve the mystery.

After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sadomasochist tendencies, and the intrusion of a very free-spirited maid and her husband. And it all started with the arrival in the family of an innocent looking rat.

A young woman wanders through her apartment, feeling dizzy.

The day of David's wedding, Robert, his eighty-two-year-old father, who is physically ill and who is beginning to go slightly off the rails, asks for his son's help in finding him a woman. Struggling to understand this incongruous request and balking at betraying his mother, David is evasive, then hesitates. He's never had the affectionate sharing and complicity that he'd hoped for with his father ; what if this request were the opportunity to strike up the father/son dialog that is so badly missing ? David goes on a stroll with Robert and the two men soon find themselves searching for prostitute for the elderly man.

Just before taking an irrevocable and tragic step, Caroline talks to Claire, her lycée friend. Later, Claire gathers five other school friends, and tells them Caroline's secret. The six agree to wage a guerrilla war against their philosophy teacher, the sarcastic and belittling M. Terrien, the cause of Caroline's despair. After seeking advice from Mayard, the school's guidance counselor and a leftist with a police record, the six look for evidence that could get Terrien fired. They strike gold, and then raise the stakes. Sarah, one of the six, hatches a deadly plan.

Niamh is the lone survivor of a mysterious massacre in which the furniture and objects in her family’s isolated house took on a monstrous life of their own. The police ignore her wild stories, and the neighbours and social worker who take her into their care try to introduce her to a new life. But Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.

On her birthday, Juliette is too upset to worry about the strange cleaner who imitates her every move and lusts after her clothing.

Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

He thrilled you with 'Swimming Pool', tickled you with '8 Women' and beguiled you with 'Young and Beautiful'. Dive into the the erotic twists and transgressive turns of the early short films of auteur director François Ozon. The 5 short films are: A Summer Dress [Une robe d'été] (1996); X2000 (1998); Truth or Dare [Action vérité] (1994); See the Sea [Regarde la mer] (1997); Little Death [La petite mort] (1995).

While cycling through the streets of Marseille, Alfredo, a young Italian student, crashes his bike. Seeking help, he heeds a strange call from a porn cinema from another time.

Children encounter a kid-eating ogre.

Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent in Sasha's yard. The two women build an odd rapport, and tension builds as events unfold.

As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.