Percy Edwards

Frustrated with babysitting on yet another weekend night, Sarah, a teenager with an active imagination, summons the Goblins to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into a fantastical world to rescue him from the Goblin King. Guarding his castle is the labyrinth itself, a twisted maze of deception, populated with outrageous characters and unknown dangers.

On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world, before the grotesque race of Skeksis find and use the crystal for evil.

Two dogs, Rowf and Snitter, struggle to survive in the countryside after escaping from an animal research laboratory. They're pursued by search parties and then the military after rumours spread that they could be carrying the bubonic plague.

Shaw used the traditional fable of Andocles to focus on the integrity of religious belief. Androcles, a christian fleeing persecution in Rome, is captured by Caesar's men. Alongside other christians - Ferrovius, a fierce fighter, Lavinia, a beautiful aristocrat and would-be martyr Spintho - he must face the lions of the Coliseum. How will each of them face their desperate fate?

Fresh-faced young Michael Rimmer worms his way into an opinion poll company and is soon running the place. He uses this as a springboard to get into politics and in the mini-skirted flared-trousered world of 1970 Britain starts to rise through the Tory ranks.

A secret, high-technology international agency called SHADO defends Earth from alien invaders.

A British television comedy series of the 1970s and early 1980s, combining surreal sketches and situation comedy.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.