Guilhaine Chambon

Nathan and Daniel are caught in a road accident that kills them both. As they come to grips with their deaths, Nathan confronts his past and the consequences of his actions. Now trapped in the hellish void of Pandemonium, he encounters tortured souls like Jeanne, a disturbed child; Julia, a grief-stricken mother; and Norghul, the guide of the great void. Will he find a way to escape the torment that awaits him for eternity?

Luke has just learned that he has cancer. Consumed by denial and anger, he unwittingly attends a meeting to speak between patients …

Emma, a 70-year-old woman, lost the woman she loved and all the memories of their life together in a fire. Every day, she paints in the hope of rediscovering the face of her beloved. But one morning, she wakes up covered in mysterious paint stains.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

Luc has just learned that he has cancer. Consumed by denial and anger, he despite himself attends a discussion meeting between patients... If it is a question of showing that cancer affects all generations... Strength, hope and resilience are also transmitted through them...