John Lizzi

A deadly airborne virus finds its way into the USA and starts killing off people at an epidemic rate. Col. Sam Daniels' job is to stop the virus spreading from a small town, which must be quarantined, and to prevent an over reaction by the White House.

Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.

The Puppetman, a convicted killer on death row, always maintained his innocence saying that it was an evil force controlling his body as he slaughtered his victims. Now Michal, the killer's daughter, begins to suspect that there may be some truth to her father's claim when those around her begin to die in brutal ways. She must try and break the curse of The Puppetman before all her loved ones are killed.

The first of three private-eye movies created by Robert Blake about rugged Joe Dancer as the forerunner to a prospective but unrealized series after the retirement of his "Baretta" character. In the initial outing, Blake, as Dancer, follows a trail of bodies through a maze of corruption involving a politically ambitious Beverly Hills family.

A man is falsely convicted of the murder of his wife. During his time in jail, he finds comfort from four women with whom he corresponds. After his second court appearance, he is finally freed from prison only to be framed for yet 2 more murders which he did not commit. With the help of his former prison guard, he once again sets out to clear his name

In 1932, the nation was shocked when the 14-month-old son of Charles Lindbergh was kidnapped, held for ransom, and murdered. Two years later, Bruno Richard Hauptmann was arrested, convicted, and executed. This film dramatizes the investigation against Hauptmann, the trial, and the execution, painting a picture of a corrupt police force under pressure to finger a killer framing an innocent man by manufacturing evidence, paying-off and blackmailing witnesses, and covering up exculpatory evidence.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

A series of comedic short films guaranteed to offend.