George Peppard

Acting

George Peppard

Born October 1, 1928 · Detroit, Michigan, USA

Died May 8, 1994 · aged 65

George Peppard (October 1, 1928 – May 8, 1994) was an American actor. He is best remembered for his role as struggling writer Paul Varjak in the 1961 film Breakfast at Tiffany's, and for playing commando leader Col. John "Hannibal" Smith in the 1980s television series The A-Team. Peppard secured a major role when he starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), and later port…

Known For

Breakfast at Tiffany'sBreakfast at Tiffany's · 1961
Breakfast at Tiffany's
7.61961
MovieComedyRomance
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
How the West Was WonHow the West Was Won · 1962
How the West Was Won
7.01962
MovieWestern
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
Battle Beyond the StarsBattle Beyond the Stars · 1980
Battle Beyond the Stars
5.41980
MovieScience FictionAction
A young farmer assembles a band of diverse mercenaries to defend his peaceful planet from an evil tyrant.
Operation CrossbowOperation Crossbow · 1965
Operation Crossbow
6.71965
MovieDramaWar
Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant. The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.
Silence Like GlassSilence Like Glass · 1989
Silence Like Glass
7.01989
MovieDrama
True story of two diametrically opposed young women dealing with terminal illness.
Damnation AlleyDamnation Alley · 1977
Damnation Alley
5.11977
MovieAdventureScience Fiction
Following World War III, four survivors at a desert military installation attempt to drive across the desolate wasteland of America to Albany, where they hope more survivors are living, using a specially built vehicles to protect themselves against the freakish weather, mutated plant and animal life, and other dangers encountered along the way.
The Blue MaxThe Blue Max · 1966
The Blue Max
6.81966
MovieWarAction
A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.
Pork Chop HillPork Chop Hill · 1959
Pork Chop Hill
6.71959
MovieDramaHistory
Korean War, April 1953. Lieutenant Clemons, leader of the King company of the United States Infantry, is ordered to recapture Pork Chop Hill, occupied by a powerful Chinese Army force, while, just seventy miles away, at nearby the village of Panmunjom, a tense cease-fire conference is celebrated.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.