Paula Pollacchi

They awakened a powerful witch to steal her wisdom, but she will make them, one by one, perform the ultimate spell.

A woman and her daughter try to escape from an evil being that threatens not only their bodies but also their souls.

A question, or not. You are in the street, something bad happens, someone calls an ambulance and the doctor ask you who to call. It is a question, but also an assertion when we talk about the intensity that link us or not to some people like lover, parents, children, and even the ones we loved but not anymore.

"Leti is not sick and you should stop worrying about her", says Erica. But Damián knows better: the night visits to the cemetery and the bathroom decorated with plaques; the knives on the wall and the frequent wounds; the bandages and the barbed wire... He also knows that Erica's arrival to get a picture and become famous for it was for the worst: now Leti wants to be sliced until there's no more Leti left to cut. He doesn't know their obsessions and desires will lead them to get together again, sharing the same place: a true bloody bath.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

A doll, a clown, and a sinister fairy—these are the characters in the play that Dul—a young woman trapped in the role of a child—and her parents perform every week in an abandoned theater. The auditorium is empty; only Dul’s dolls wait expectantly. But today, the play takes an unexpected turn: Mother has decided to burn Dul alive. Dul is unable to react until her dolls speak to her for the first time, helping her save herself. Yet matters do not end there; with her dolls' help, Dul must break free from her mother and become a woman in the only way possible within this dysfunctional family.