Solange Sicard

Militis, a sailor, returns to a bar where he finds Sarah, the girl he once loved and is still attracted to. However, he is now married to an exotic woman who took care of him during an illness.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Maurice loves Juliet and Michael loves Lily. Romance blossoms on the hill. They are workers, artisans, and Lily has a real talent as a singer. But Claude's arrival brings trouble to their relationships. Maurice, jealous, approaches Lily. Singing in the streets, Lily quickly becomes a cabaret star.

A young French woman travels to South America for a job offer and ends up a prisoner in a slave camp for women by a sadistic gangster.

Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter - a moment's respite. In Cannes, Pierre meets Wanda, a young singer with strange, fascinating eyes. The frustrated husband falls for her but gradually realizes that the light mercurial creature cannot possibly fulfill him. Véronique, feeling miserable, understands she is on the wrong track. She promises Pierre that she will make efforts to reconcile work and married life. Véronique and Pierre will live and work together again, each one forgiving the other for their faults.

A beautiful and sophisticated teenager is placed in a regimented French girls' boarding school after her father apparently commits suicide over a business scandal. She immediately gains admirers -- a lustful middle-aged artist, a handsome young composer, a fellow female student -- as well as a jealous rival. With the help of her schoolmates, she attempts to elope with the composer, but the adults catch on to the plot, and she is locked into her room at night.

Angelo, a glass-blower from Murano, and Georgia Maglia, the pretty daughter of a fallen fascist magistrate, are chosen to be the stand-ins for the stars of a film version of "Romeo and Juliet" being shot on location in Venice and Verona. It is not long before they fall in love and their romance parallels that of Shakespeare's timeless heroes. Indeed their union is threatened by the schemings of Raffaele, the Maglia family's dubious tout...

In order to please Martineau, a wealthy industrialist, cynical Gabory accepts to organize a rigged beauty contest whose winner will be Françoise, Martineau's young mistress. However, there are other comely contestants among whom Christiane, the daughter of a general, Jackie, an unemployed actress, Colette, the daughter of a distiller and Marie, a secretary engaged to serious-minded construction foreman Robert. So, will things turn out exactly the way Martineau and Gabory want them...?