Breno César

While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.

In a bleak future, the inseparable Batman and Robin live in a remote trailer. As punk-rock reenactors, they realize that planet Earth has become too small for their perfection, genius and power, and decide to find their place in the galaxies.

Two boys. Two stories that intersect. Two lives united by a condition that defines their existences. Two journeys in search of self-recognition in the mirror.

The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

Two sisters, Bethânia and Laura, reunite to discuss a family matter. They travel the roads of the Pernambuco hinterland in search of their father's body, Seu Lauro. At home, Bethânia's daughter edits a video in which the living and the dead become intertwined in a game of silences and revelations. Ao Sabor das Cinzas (Led by the Ashes) is a magical realism piece about the collapse of communication and grief conveyed in real time.

In the year 2040, the city of Recife, Brazil, is deserted and in ruins, abandoned by the wealthy who migrated to space colonies. One young man, bored in his new address, decides to return. In Recife, he redecorates his old house and spends his time reading, walking and getting involved with various men. Gradually, however, he perceives strange signs and discovers the existence of a secret cult.