Sha Lee-Man

"In the name of the struggle to aid his suffering people, he disregards every danger that threatens his very life...! He must battle the remnants of incredibly ferocious prehistoric beasts... But why? Can he truly slay a giant toad and a spider that has lived for thousands of years? Come witness for yourself the prowess of WATARI your beloved little hero!" - Theatrical Release Write Up. The first movie in the Taiwanese Watari film series. This is not Watari and the 7 Monsters, this is a separate movie all together, but it did release around the same time as 7 Monsters.

In a tiny Chinese fishing village, two rival fishermen compete for a young woman's love. She does love one of them, but as she is obligated to the other, she cannot marry him. Tragedy is averted when the one she is obliged to falls in love with another. Happiness briefly ensues as the men, with their respective mates, resume their friendship. Unfortunately, they set out to sea and disappear.

A young couple desperately try to keep their love alive, while living in a haunted house.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Taiwanese horror movie from 1975.

Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.

Chinese folklore has it that during ancient times, thousands of crows randomly attacked and killed inhabitants of Feng Village just outside of the Great Wall.

A Taiwanese Martial Arts film