Upendra Subba

Aimless Kaji dreams of marrying village girl Maiya by any means. However, she wants to go to the city seeking higher education. Their lives are thrown into turmoil with the arrival of Bibek, a charming young man from the city.

The central characters of Jaari are Namsang and Hangma, a married Limbu couple. After a brief argument with her spouse Namsang, Hangma chooses to leave him by giving back his Yuparung (a sacred coin). She then marries a different man after falling in love with him. The jaari is claimed by Namsang and his family, but Hangma’s family refuses to pay, forcing Hangma into slavery in Namsang’s household until the jaari is paid.

After the events of Kabaddi 3, Kaji no longer seeks love as he suffers from the pain of his previous relationships.

A wounded rebel from an underground insurgent group seeks refuge in a remote village, where guilt, suspicion, and the struggle for survival force him to confront his past and the consequences of violence.

Continuing the story of the first film, Jaari 2 follows the journey of Namsang and his wife Hangma as they embark on a new chapter of their married life. The film's narrative is deeply rooted in the culture of the Limbu community and revolves around the Chyabrung, a traditional drum that symbolizes love, identity and resilience. The film explores how Namsang navigates personal struggles and the complexities of his community's traditions with the guidance of the drum's rhythms.

Reemai is the story of a young woman who refuses a childhood marriage arranged under traditional Gurung customs, and must face the consequences of her decision. The film beautifully captures the essence of Gurung culture, exploring themes of love, tradition, and personal freedom

Kaji tries to live rest of his life with Maiya's memories but he falls in love with another girl.

This is the story of a Limbu family. A father loves to play the traditional Chyabrung drum at village ceremonies, his son has problems with school, his wife works hard at home. Losing his beloved drum, the father needs a tree trunk and leather to make a new one.