Paulo Bruscky

Film made through the xerographic process (xerofilme), opening a new field for cartoon and experimental cinema. The film is the xero/graphic recording where the artist burned various materials over a copy machine´s surface and then filmed, frame by frame (or scene by scene), the result of the experiment.

A film about Poesia Viva, an idealized street art happening/event directed by Paulo Bruscky and Unhandeijara Lisboa, on March 14 (National Day of Poetry in Brazil), where people were dressed as letters and the surface of the floor was the pages.

Arte Cemiterial (Cemiterial Art): Documentation of an individual exhibition of Paulo Bruscky at the Empetur Gallery, Recife, in 1971, where he launched the Xerografia and the Cemeterial Art with a happening -

Poema (Poem): Visual poetry. A film where the corner is the film and the film is the corner.

Film made through the xerographic process, opening up a new field for animation and experimental cinema. This xerofilm reveals the artist’s bodily relationship with the Xerox machine.

This performance, in which all players are against each other by playing with the LogicAcaso (neologism for Logic/Chance), defeats the question of the winners and the losers and values the exercise of individual and collective freedom. After a while, a second ball is thrown into the field and the game is played with two balls. In addition to New York, this performance also took place in Recife in 2012 and in Belo Horizonte in 2013.