Antonio Catalano

Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens...

A lone robber riding a maxi scooter, each time looking different, robs one bank and jewelry store after another, always managing to slip away through the streets of Rome. To solve the case, Commissioner Murena asks for help from a friend in Paris, known as the Frenchman, a former commissioner with a keen instinct. The solution will be surprising.

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.

In the mountains of Northern Albania, a young man seeks revenge for his father's death. The murderer has disappeared a few months ago and the police is still looking for him. The young man kidnaps the killer's only son and raises him up until he reaches his 16th birthday, when according to the Kanun, the Albanian law of revenge, a child becomes a man and he is allowed to kill or to be killed.

Fifty years of modern Chinese history (1900-1950), including wars, revolutions and corrupt politics, as seen through the life and times of a simple Beijing policeman and his family.