Meltem Savcı

Acting

Meltem Savcı

Born October 22, 1952 · Gaziantep, Türkiye (age 73)

No biography available.

Known For

A WomanA Woman · 1991
A Woman
9.01991
MovieDrama
The film tells the story of a widowed woman who is experiencing problems in her relationships. Füsun is a columnist for a newspaper. She also works as a university lecturer. Füsun, who lost her husband years ago, lives with her two children. Tayfun, one of her colleagues at the newspaper, takes an interest in Füsun. A romantic connection develops between the two. However, their expectations for marriage differ. Meanwhile, Füsun meets Dr. Serdar. Serdar is a young and talented doctor. Although Füsun is attracted to Serdar, obstacles will arise between them.
The Blue ExileThe Blue Exile · 1993
The Blue Exile
4.61993
MovieDrama
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.
Yarın AğlayacağımYarın Ağlayacağım · 1986
Yarın Ağlayacağım
1986
MovieDrama
A man whose life is in difficulties becomes a prosecutor, but he has problems with his wife due to a wrong marriage, and in the meantime he gets close to a journalist.
Yumuşak TenYumuşak Ten · 1994
Yumuşak Ten
3.01994
MovieDramaRomance
CivilianCivilian · 2014
Civilian
2014
MovieDrama
Having recently returned from compulsory military service, Emrah, who lives with his mother, refuses to socialise, and strolls alone on highways. He hides two letters in a drawer: one that he has written when he was in the army to his former lover, Sevgi, and another that he has found by the side of the dead body of a guerrilla whose life he has taken. Following the address on the letter, Emrah reaches the house of Zeynep, the guerrilla’s lover, and leaves the letter there. But this will not relieve his nightmares. With the help of his uncle, he finds a job as a night watch. Forced to spend the whole night in a small room, Emrah will go through troubled times and the nightmares will become all the worse leading into ever more confusion.
Sessiz ÇığlıkSessiz Çığlık · 1994
Sessiz Çığlık
1994
MovieAdventureDrama
Bir Irmağa YolculukBir Irmağa Yolculuk · 1988
Bir Irmağa Yolculuk
1988
MovieDrama
The story of a political prisoner who worked as a cotton picker after his release from prison, and a foreman who took a stand against him for fear that his interests would be jeopardized.
Nihavend MucizeNihavend Mucize · 1997
Nihavend Mucize
4.91997
MovieComedy
Suzan died 25 years ago. But after seeing his son's loneliness and despair in the world, he had to return to the world at the end of these 25 years. The world he left is completely different from the world he finds. Suzan suffers from a deep adaptation to this change. After a while, he realizes that he must adopt such a fit.

Filmography

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The Blue ExileThe Blue Exile · 1993
The Blue Exile
4.61993
MovieDrama
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

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