Tom Bret

The Drews are considering new scripts when they decide to produce Pay-Day, the melodramatic story of the wealthy and sinister Kirke Brentwood and his lower-class wife, Doris Fenton.

Based on an idea by Helen Duey.

This epic traces, from the Beginning, the lineage of the race of peace-loving people. Mankind at its best is highlighted as greatness of character across the centuries is displayed: Noah heeding God's command, Moses leading the Israelities, Jesus Christ dying to save humanity and promote His message of peace. Moving into our modern epoch: Columbus's discovery of America, the Declaration of Independence, the Emancipation Proclamation; A race of free humans committed to the proliferation of peace and freedom. What becomes of this race when autocratic powers threaten democracy in the time of the first World War?

To avoid seeing Marjorie Dare, Jim Allen visits Stewart Leighton at the latter's country home. (Five years earlier Jim's engagement to Marjorie Dare was broken when her mother was killed and his father disappeared.) Through certain circumstance Marjorie also becomes Leighton's guest, and Jim moves out into the woods. There he meets Smiles, a little girl in the care of strange old Ben Tangleface. Leighton wishes to wed Marjorie for her money and is trying forcefully to persuade her to accept him when Jim comes to the rescue. But Ben, his memory stirred by the sight of Leighton, kills him. Explanations reveal Smiles to be Dorothy's sister and Ben, Jim's father. He was wounded while defending Marjorie's mother, whom Leighton killed.

The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.

A story of the First World War, told in semi-documentary style, focusing on the iniquities of the German war machine, and with its dramatic center the sinking by a German U-boat of the passenger liner Lusitania in 1915.

Smilin' Billy Parsons comedy distributed by National.