Aaron David Ross

A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.

A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.

This rich essay searches for new ways of being together in the age of social media. We arrange our lives to impress the gaze of others and have become accustomed to being seen. For many young people, however, the party is over. Neoliberalism has made murderous competition the norm; and in the meantime, the planet is dying. Following the unmasking of Facebook’s real motives, more and more people are deleting their Facebook accounts – but this often results in social death. The first image in POSSESSED sets the tone: liquefied lead runs over burning smartphones, followed by images of a devastated neighbourhood in Aleppo. Even the smartphones have not survived the attack. The chains of social media must be cast off, but the perpetual question remains: Who is looking out for you? Academics Alex Williams (University of East Anglia) and Nick Srnicek (King's College London) address this crucial question, along with other issues

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.

An alienated girl struggles to piece together the events of the previous night over 24 hours in NYC, only to be reminded that nothing is ever as it seems in a city where everyone is a self-made avatar, and violence looms like a halo.

In the Netherlands, the ocean is rising. A reclusive engineer has arrived in Rotterdam, promising to invent a new system of dikes and dams, using a computer that harnesses the power of dreams. A pair of twins are selected for the study - gabber kids, from the local hardcore scene. As the duo get sucked deeper into a digital dream world, they begin to wonder if the inventor's true goal isn't to protect Rotterdam at all.

It’s not non-human animals on display in Korakrit Arunanondchai’s new series — it’s nature itself. This is a nature show about the least natural thing of all: god. For the Darwinist, feelings are just an evolutionary training mechanism, a mere instinctual guide that has come to mean too much. If feelings are evolved, then they are also the voices of all who have come before us, an ancestral language far larger than any one being. There is a deep time to emotion, to our emotions towards other beings, human or otherwise. Natural Gods is a nature show beyond people. It looks at subjectivities that do not resemble our own, imagining an expansive consciousness bigger than individuals, or even entirely different from consciousness as we know it.The time after humans will leave society’s residue to be mined as if of a preternatural force for whomever or whatever comes after. It’s not cute creatures on view, it’s what seeps from spaces between symbols and language and rocks and bodies.

Video installation. Commissioned by Fundação Bienal de São Paulo for the 36th Bienal.