Fredrik Lange

A film about Johnny Bode. Schlager diva, Operetta hero, filth musical innovator, enfant terrible, compulsive liar and amoral rogue. Johnny Bode (1912-1983) was very successful in Sweden and Europe. Yet he is today almost completely forgotten. Why? His life was so overwhelming, glamorous, fast and bizarre. So un-Swedish. He became fascinated by the nazism. Was arrested by the Gestapo and detained at Grini concentration camp in Norway. For five weeks. After the war he moved to East Berlin and proclaimed himself a dear friend of the GDR. Later he was deported and returned to Sweden. A time of fencing and small crimes followed. Escaped to Brussels at first and later Vienna. He was, as Juan Delgada, hired by the Vienna Opera to create new operettas. And was very successful. Johnny Bode died exhausted alone and abandoned in Malmö during the summer of 1983.

This documentary picks up after the horror has ended. Almost 500 teens are in grief as 69 of their friends have fallen. They've been shot dead. How could this island ever become a safe place again? Here, we see how Utøya was first the safest place on Earth to the most terrible and how it was restored and stands as a beacon of hope for the survivors and the Norwegian people.

The friends Amanda and Savannah are going to take part in a reality show. Shortly before leaving for the recording location, Amanda gets an offer she can’t resist. Dreams about fame collide with remorse in Guldbagge-nominated Simone Norberg’s portrayal of a drama seeking TV world.

It’s Christmas time and the family has gathered. Everything goes on as it did the previous Christmases, with grandpa drinking too much and grandma trying to keep everyone in the mood. After the Christmas holidays, everyone returns to their own homes until it's time to gather again, this time for a funeral.

A young filmmaker returns to the village where she was born – a hamlet in the north of France – to investigate a strange story about a terrorist threat. She starts with members of her own family, and doesn’t have to go much further. The misunderstanding – as it turns out to be – shows above all how alarmist news items and political machinations in the cities can take on a life of their own, deep in the hinterland.

Svitlana, a Russian-speaking Ukrainian, examines the colonised part of her consciousness and tries to find answers to the question of how Soviet totalitarianism and Russification influenced the relationships within her family.

The American photographer Nick is in an idyllic coastal town in Sweden, working for a tourism campaign. During her stay, Nick gets drawn into an infected conflict between the town’s locals and the tourists.

The village is brimming with stories and if you listen closely it might tell you a few. Perhaps the one about the businessman who dreams in Latin, or the one about the delicate boy who carves moorland birds, or maybe the one of the open-air sexual affair that has explosive consequences.