Heiri Emirzade

A Soviet film about construction workers.

Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

The film is dedicated to the life and creative work of the great Azerbaijani educator, playwright, and philosopher, Mirza Fatali Akhundov, affectionately known as Sabuhi, meaning “man of the morning.”

The film is set in one of the regions of Western Ukraine in the 1920s. A poor peasant, Vasyl, openly opposes the arbitrariness of the lord's authorities. While hunting in the lord's forest, he is captured by soldiers and imprisoned in a dungeon. His beloved girl Lesia, with the help of the villagers, opens the dam, and water begins to flood the manor. Amid the commotion, Vasyl escapes from his captivity.

The plot of the film is taken from the legend of the Azerbaijan Maiden Tower. According to legend shirvanshah fell in love with his daughter and wanted to marry her. Learning of this daughter Shirvanshah jumped from the top of the tower in the Caspian Sea.

The action takes place in the early 1930s in the fictional Asian state of Gulistan. The construction of railways in the country is hampered by a strong foreign state. Under the guise of a “saint from Mecca,” a saboteur-provocateur arrives in Gulistan. Carrying out the will of his masters, he incites the people to hostility against any progressive actions in the country, preparing an uprising with the aim of causing foreign intervention. But the Gulistans expose the “saint”; their faith in the USSR is unshakable...

Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.

Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood. The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.