Lee Min-hwi

Jooin, a 17-year-old student confused by love, unleashes chaos with some words spoken in a moment of anger. Anonymous notes questioning her actions begin to arrive, altering her quiet life.

Three lonely strangers meet at their department store jobs and find solace in each other's company while they explore connection and the nature of love.

Depicts the process of meeting a family who lives a homeless life like camping along a highway rest area, and a couple who accidentally hold hands and the process of the birth of a new family. The story of a family wandering the streets with the hope that they will meet the warmth and affection, compassion, trust, and hope between people who still exist in the cold reality, is revived with the courage and help of someone.

The story of those who see and make films, and the cinema that brings them together.

Edhi Alice: TAKE begins from the perspective of Alice, a gaffer pushed out of the field, as she confronts her own body, and transitions into the journey of another protagonist, Edhi, who discovers a new sense of embodiment. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.

Hong-i, who suffers from debt, brings her mother Seo-hee, who is in a nursing home, to pay off her debt.

Su-kyung lives with her daughter Yi-jung. They don't quite get along, though. Su-kyung is too hot tempered, while Yi-jung is slow and passive. After having a fight one day, Su-kyung runs over Yi-jung, who thinks she did it on purpose. Their clash ends up in court.

Jinmu starts to record things he should remember with a camera after hearing that he could lose his memory due to the prearranged brain surgery. Memories of family and his forgotten father comes to Jinmu's mind as he takes records of his life.

Young-sil and Insik become lovers eight hours after meeting. Insik is certain that Young-sil is a free spirit. Anxious Insik makes Young-sil promise that their love will be forever, whatever happens. Young-sil tries to keep the promise, even after their breakup. 8 years later, Young-sil likes Woodo, but is unable to do anything.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

Merely Known as Something Else tells the story of a man who disappeared one day and the three women entangled with him for different reasons, presented with meticulous emotion and a unique format.

Junha is one of the most difficult children at the school. His autism causes him to attack his classmates and even teachers without warning. Each outburst further isolates Junha from his community as his teachers and peers struggle to find a way to live "with" Junha. The camera provides an intimate look into this society, leaving the question; what is human entity and how is it connected?

The music film for Lee Minhwi's song "The Station."

I love dancing K-POP with my best friend in our club. Though I am the tallest, the spotlight is mine at the center. But things are about to change- my best friend might become my ex-best friend; She's dating my secret crush! People say my mom and dad are a little unusual, but to me, they're just an ordinary family. The neighbor lady seems suspicious-she once filmed SNS videos with her daughter, and now she wants my mom to join instead. I have to stop this somehow. Maybe I should talk to her daughter first...

To 18-year old Kang-yi, her friends So-young and Ah-ram are everything. Wanting to go somewhere foreign, she runs away from home with them, only to find a strange side of themselves and the balance of their friendship also tips in a weird way. Although they left home as one, but they eventually return home as three. Kang-yi wants nothing more than going back to how they were but that’s easier said than done…

Jin has never left the island where she was born, with no road to the mainland, where the sea sets the rhythm of everyday life and everyone is bound to one another. When Dujae, her childhood friend, returns for his grandmother's funeral and stays on in her empty house, Jin finds small excuses to visit, and little by little, seeing him becomes part of her daily routine. As the summer unfolds, the island she thought she knew starts to feel unfamiliar, its known faces and places quietly shifting into something new. For the first time, Jin sees the island, and herself, differently. But summer, like everything else on the island, will not stay.

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

Ahead of the age of 30, the second daughter, Jin-young, who is still preparing for employment, a blunt father who is more comfortable resting in a folding chair in factory than at home, and the mother is the only one who ties this incommunicative father and daughter together. One day, the accident suddenly kills the mother, and only the father and daughter remain in the spacious house where the three families lived.

Reality and fantasy melds as a Korean documentary film director attempts to capture life in the small town of Gojo, Japan.

Myeongseon is a veteran who has been earning a living doing sewing work at Changsin-dong sewing alley. Watching famous actors featuring in K-dramas wearing designer products that she custom-made is her greatest joy. However, work is decreasing and her close co-worker friend Hyun left Changsin-dong. Now Myeongseon is concerned.

Three years since Korean society was first rocked by the MeToo movement, how much has changed? As the title suggests, #AfterMeToo tackles the activism and resistance that remained after the initial Me Too fever cooled. This anthology documentary ties together four shorts, dealing with the ‘School Me Too’ movement amongst teenagers, the fallout of the Me Too movement in the art world, confessions surrounding sexual trauma from long ago and its respective healing process, and the sexual self-determination of women.

On a wintery night, Juyeon receives a call from her father. In his drunken voice, he leaves strange remarks, “Don’t become like your aunt who committed suicide.” Stunned by the family secret, she starts chasing the traces of her aunt, who resembles her strikingly. Juyeon breaks the suffocating silence and recreates her aunt’s lost voice through animation.

Sixteen year-old girl Jeong-ae receives a letter from her mother, who left home long ago. Jeong-ae is living with her father in the redevelopment area of Seoul. He was diagnosed with an end-stage cancer and is waiting for his death while giving up treatment. Jeongae is on her way to find her long lost mother, thinking that it is her only hope left.

Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?

Park Ha Kyung teaches Korean literature at a high school. To escape her ordinary days, Park Ha Kyung decides to take one day trips on Saturdays. During her one day trip, she walks around, eats different foods, and meets various people. She realizes she receives comfort and empathy through her travels.