Renato Berta

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

15-year-old Max is in search of his father, the famous troubadour Johnny Bigoude, who disappeared shortly after Max's birth. He reaches Saint-Hilare where Madam Doudou, the old teacher, takes care of him and finds him a job as elevator musician in the fly swatter factory Bzzz & Co. But the factory doesn't run well and half of the village gets fired. To boost the swatter sales, a dangerous scientist creates a mass production of flies. Soon, a thick cloud of insects attacks the village... With courage and determination, Max and his new friend Félicie will do their best to neutralize the insane projects of Bzzz&Co. Will they manage to convince the villagers to help them in this adventure? All together will they stop the scientist's crazy handlings? And will Max find his father?

An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV evangelist. Also living at the farm is his layabout daughter and her precocious 8 year old daughter, his would-be artist son, the son's fiancée, and the black maid. Also thrown into the mix is the daughter's ex-husband, a ne-er-do-well who is seeking to get back in his ex-wife's good graces.

In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.

Also known as “Letter from Venice,” Susan Sontag’s fourth and final film tells of a relationship that is fragmenting as the partners tour the decaying ruins of a hallucinatory Venice.

Feeling suffocated by a possessive boyfriend, work and suburban life, a young woman starts spending the weekends in her Paris apartment in order to reclaim some of her lost freedom.

In autumn 1943, in Gross-Partsch, 26-year-old Rosa, who had come from Berlin to stay with the parents of her husband Gregor, who was fighting on the Russian front, was taken by the SS to a mysterious place. Forced to taste a dish, she joins the group of tasters responsible for checking that the food destined for Hitler is not poisoned.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

Lovers Beatrice Dalle and Wadeck Stanczak can't quite cope with the situation when Dalle becomes pregnant. Stanczak fears that his future as an architect will be scuttled by any parental responsibilities. For her part, Dalle wants to keep the baby, but she also wants to keep Stanczak. Attempting to smooth the waters is the couple's mutual friend Francis Frappat. Chimere was the second feature-film project for director Claire Devers, who rose to prominence on the strength of her award-winning maiden effort Black and White.

Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.

After 10 years separation from his wife, a film director (Jean-Louis Trintignant), imagines he can make up with her by giving her a part in his next film, an adaptation of Tshekov's "Three Sisters". He goes location scouting and stays in Bex, a Spa near Lake Leman, together with the three actresses : Julie, his ex-wife (Delphine Seyrig), the mysterious Cecilia, that his producer wants him to take (Lea Massari), and Esther (Valérie Mairesse), a teenager. They all stay in an old decaying hotel. In this isolated mansion the four of them will fight but also discover each other.

A fleeting encounter in a train station draws a withdrawn young man into a shadowy world of desire and danger. As obsession deepens, innocence destroyed, and an irreversible transformation begins.

Having lost her place among the social elite, a widow remarries and starts a family.

With L’inconsolable, Jean-Marie Straub continues the mise en scène of Cesare Pavese’s Dialogues with Leucò, initiated in 1978 with Dalla nube alla resistenza and followed up in 2006, 2007 and 2008 with Quei loro incontri, Artemis’s Knee and Le streghe – femmes entre elles. L’inconsolable is a reflection on the myth of Orpheus.

A teenager unwittingly reveals a terrible family secret to her new neighbors.

A look at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

In 1994, Jean-Marie Straub and Danièle Huillet adapted the novel Colette Baudoche – Story of a Young Girl of Metz by Maurice Barrès as a film they titled Lothringren!. In 2010, Jean-Marie Straub returned to the eastern provinces of France, this time to Alsace, to film the second half of a diptych based on Barrès’s work. The text is derived from In the Service of Germany, a book about the mountain of Saint-Odile, which Barrès wrote in 1903. With Joseph Rottner in the principal role, Straub traces the path of a young country doctor as he tours Mont Saint-Odile, following the routes that Barrès himself took to the chateau of Ratsamhausen and around the ruins of the ancient fortification known as the "Pagan Wall,” which are unique in the area. Straub, himself born in Metz, plays the role of a resident of Lorraine whom the young Alsatian engages in conversation.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

During the events of May 1968 in France, different worldviews of conflicting relatives collide in their family estate.

A radiant young sex worker thrives amidst the clients of Paris’s Les Halles under the protectiveness of her pimp. Her carefully balanced existence unravels when she meets a working‑class man and falls in love, forcing her to confront the emotional and social consequences of pursuing a different path.

A look at the sexual and professional lives of three people — a television director, his ex-girlfriend, and a sex worker.

The formerly great Swiss hotel which Valentin’s family owned when he was a boy has been emptied and is about to be torn down. He revisits the magical site’s empty halls and ballrooms.

The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi

Set in the 1950s Soviet Union, centers on a young artist who is commissioned to create Stalin's monument and must go through KGB scrutiny.