Aksa Korttila

A private detective engages in a sexually-charged relationship with a real estate broker.

As a patient, a captive in her own inner life, Magdaleena succesfully resists her psychiatrist. The confrontation, filmed in split screen, is less an actual case study than a metaphorical story, based on the filmmaker's personal experience of being looked at as the 'other' because they lives and performs outside the binary gender norm.

The life of Juulia, a Finnish parliamentarian, is suddenly turned upside down by the discovery of the betrayal by her husband Matias, a Protestant pastor, with the young Enni. After an initial moment of anger and desperation, Juulia realizes that she cannot leave him and she understands that sometimes it is possible to sacrifice a part of one's individual happiness for the good of the people you love. For this reason she suggests to Matias that they open their relationship, a choice that will lead her to meet Miska, a young non-binary, who is also her girlfriend, and to experiment with polyamory naturally and spontaneously, with all the consequences of the case, positive and negative.

Sari is a young, beautiful and intelligent girl who is busy studying at university,but she suffers from epilepsy and has to face death on a daily basis. Mikko is hersomewhat older university teacher, who is tired of life, and who one day decides toabandon his wife, children and idea of a perfect life. Both characters have been tooscared to live their lives to the brim for too long. But they meet, and in spite oftheir prejudices and reserved natures, they manage to create a dramatic and movingmodern romance which confronts numerous taboos. While the imagery explores theboundary between life and death in a most poetic way, the odd couple's romance istold with both bite and humour. Society - be it in the shape of angry ex-wives,overprotective parents, conservative aunts or embittered colleagues - is doing whatit can to put a spanner in the works."

Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.

An adult love story – as wistful as a Finnish tango.

Minna is taking driving lessons. The teacher starts to behave inappropriately.

Aino, a pilot intern in her small plane, is assigned on a mission to locate a mysterious lost space probe that has fallen down to earth near the arctic circle. Events make an absurd, surreal, maybe a dadaist turn after which to reach her objectives, Aino and her peers are obliged to search for the answer to the mysteries of the modern human condition. Thus follows a satirical, antimodernist continuum of monologues, mixed-media footage and introductions of modern subjectivity. The film is a flight through the darker sides of fossil-fueled European rationalism, shedding light on techno-capitalist-individualist age of modern alienation, hauntological nostalgies of imagined futures, the profound problematics of translating human communication, the post-human sides of Jean Sibelius – and finally – the reindeers of the north.